The Rise and Fall of Autochrome: Pioneering Colour Photography

The Lumière brothers, born in France in 1862 and 1864, grew up playing and learning in their father's photography studio, where he not only took photos but also produced black-and-white blue sensitive photographic plates that where very similar to the ones we make these days with Zebra Dry Plates. By 1882, after a severe economic crisis, the family business was on the brink of collapse. However, the return of 20-year-old Auguste from military service marked a turning point. With his brother Louis, they developed new machines necessary for the automated production of photographic...

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The Evolution of Color Photography: From Black and White to Vibrant Hues

Today, we take colours for granted. Capturing the vibrant hues of nature in photographs is so effortless in the digital age that we rarely ponder how it works and how it came to be. My interest in the history of colour photography was non-existent until I encountered an autochrome plate. Its beauty and mystery captivated me instantly. The colour screen, a mosaic of microscopic dyed grains of potato starch, creates a colour photograph. I couldn’t fathom how something that sounded so simple could work so brilliantly. When choosing a topic...

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Sabbatier-effect-Step-by-Step-Tutorial

Sabattier Effect – Detailed Step by Step Tutorial

In this tutorial I would like to explain and talk about a very interesting darkroom phenomenon that I came across recently and it absolutely stunned me with its beauty. But let's start at the beginning... A few days ago while scrolling through Facebook I was shocked by a direct positive Zebra Dry Plate that was shared by one of my customers. I had to ask him how he did it and he responded that he had no intention of making a positive but it was all just an accident. He told me how he made...

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How to make Silver Gelatine emulsion

Basic Silver Gelatine Emulsion Tutorial – Step by Step

In this Tutorial I will show you how to make a Basic Silver Gelatine emulsion from scratch. I will guide you step by step through the whole process including equipment, materials and many tips and tricks I learned on my emulsion making journey. It was invented almost 150 years ago and became popular to the point where we can find it in pretty much every analog light sensitive material. The first time I made photographic emulsion was a few years ago when I was starting to reproduce the mysterious Autochrome. That emulsion was much more complicated than the...

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Salt print – Detailed Step by Step Walkthrough

I love working with alternative printing processes as they only need a few ingredients to work and are perfect for those who would like to learn the very basics of recording the light. One of the first alternative printing processes used for turning negatives to positive prints was Salt print invented in the mid 1830s by Henry Fox Talbot. He used to soak plain writing paper first in a weak solution of ordinary table salt and then in strong silver solution. This way he got a light sensitive sheet of paper that darkened when exposed to the sun...

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Reverse-developing-dry-plates-to-positive-foma-emulsion

Trying to Reverse Develop Dry Plates to Direct Positives

After being quite busy in the last few months doing exams and practical work for the academy I finally have a bit more time now to experiment with more advanced alternative techniques. It's been almost half a year since I had to push my Autochrome research aside as I just couldn't afford the cost of production any more. I hope I will be able to proceed my research soon as I am only missing a few details!  When I was unraveling the mystery of Autochrome piece by piece I also...

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Lumiere-History-autochrome

Unboxing Package full of Lumiere’s legacy

A few days ago an interesting package arrived at my door. It turns out it was sent to me by a very friendly guy from Paris, France who is a collector of old photographic materials. Right around Christmas we have been discussing through messenger about my work with old photographic techniques especially dry plates. At the end of this discussion he told me that he might have something for me and all I have to do is give him my address. All he said was that I will probably have a better use of it than him.

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why-I-love-large-format-photography-and-alternative-processes?

Why I Love Large Format Photography & Alternative Processes?

I am asked this question often, especially being 25 years old. People often don't understand why I would enjoy techniques and cameras made well before my time. The ones who know me can tell you that I am in love with nature and everything connected with it. Besides that it relaxes me completely, learns me every day and makes me happy it also artistically inspires me. When I got my first camera at 16 which was a DSLR Pentax K-m I did not take portraits, I did not shoot street but I went straight into the woods behind...

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autochrome-varnish

Autochrome step 1: 1st varnish

GLASS BASE Before I start talking about 1st varnish I have to dedicate some words to support (glass) which serves as a base on which all the layers making up autochrome are coated. Many of you probably question what is there to talk about glass? When used for autochromes it serves not just as a support but it actually plays a role during exposure. Usually at lets say wet-plate or dry-plate photography plate is turned towards the lens in such a way that emulsion is directly pointing to the light source. With autochrome the...

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What-is-autochrome

What is Autochrome?

Why and how? For me it all started with this question back in 2017 when I applied my theme for bachelor’s degree. It didn’t know much about the autochrome before that besides that it was one of the first colour photography techniques. I started my research on the internet reading everything I could find about autochrome and I was in shock because there was almost nothing written on this the topic. My main source of informations at the time where blogs that I came across often by luck. They at least gave me an...

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