How to make Silver Gelatine emulsion
28 Apr
AUTOCHROME, DARKROOM CHEMISTRY, EMULSION, OTHER

Basic Silver Gelatine Emulsion

Introduction There’s something deeply rewarding about making your own photographic materials by hand. In this tutorial, I’ll take you through the entire process of creating a basic silver gelatin emulsion completely from scratch. Whether you're a curious beginner or a seasoned alternative process enthusiast, this guide will walk you step by step through everything—from the tools and materials you need to the tips and tricks I’ve picked up over years of experimentation. Together, we’ll demystify the process and unlock a piece of photographic history that still has so much to offer. The silver gelatin emulsion process has a fascinating legacy. First developed...

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Reuse-scrap-dry-plates-large-format-film
24 Apr
DARKROOM CHEMISTRY, EMULSION, OTHER

Reuse scrap Dry Plates & Large Format Film

If you shoot analog on a regular basis you know how much film gets wasted due to experimenting, failed exposures and so on. In a very short time you are left with a stack of unusable film. I have the exact same problem with dry plates and because nature already has enough weist on its shoulders I would like to show you how dry plates or even modern film can be recoated and reused. Types of base / support ? Emulsion can be coated on different transparent surfaces. When making glass dry plates light sensitive emulsion is coated directly on a glass support...

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17 Mar
AUTOCHROME, DARKROOM CHEMISTRY, OTHER, PRINTING PROCESSES, Uncategorized

Salt print – Detailed Step by Step Walkthrough

Introduction I love working with alternative printing processes because they require only a few ingredients and are perfect for those interested in learning the fundamental principles of recording light. One of the earliest alternative printing techniques for transforming negatives into positive prints was salt printing, a process pioneered in the mid-1830s by Henry Fox Talbot. Talbot’s method involved soaking plain writing paper in a weak solution of ordinary table salt, followed by a strong silver solution. This treatment rendered the paper light-sensitive, allowing it to darken upon exposure to sunlight. Once fixed with a hypo solution, the image became permanent. Salt...

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Kodak-d-19-original-recipe
03 Mar
DARKROOM CHEMISTRY, OTHER, PRINTING PROCESSES

Making Kodak D-19 from scratch with Original Recipe

In this week's Blog I am showing you how to make Kodak D-19 Developer from scratch including all the steps and recipes. Developing film at home is always a special pleasure if you have the right equipment. Kodak D-19 is really hard to get these days specially now during the lockdown when everything has to be bought online. I always like to make my own stuff as you learn so much along the way. Kodak D-19 is actually made out of only a few ingredients and it's not hard to make so let's start. Kodak D-19 is a very high contrast...

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Reverse-developing-dry-plates-to-positive-foma-emulsion
01 Feb
AUTOCHROME, DARKROOM CHEMISTRY, EMULSION, EQUIPMENT, OTHER

Reverse Developing Glass Dry Plates To Direct Positive

Introduction After being quite busy in the last few months doing exams and practical work for the acadAfter months of being buried in academy work—exams, practicals, the whole lot—I finally have some breathing room. And you know what that means: time to dive back into the darkroom and explore. One technique I’ve long wanted to revisit is reverse developing dry plates into direct positives—a magical process where the final image appears directly on glass, ready to be admired without printing. My earlier Autochrome research demanded similar skills, so this feels like returning to a familiar puzzle, but with new pieces. Autochromes, if you’re...

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Lumiere-History-autochrome
18 Jan
AUTOCHROME, DARKROOM CHEMISTRY, EMULSION, EQUIPMENT, OTHER, PRINTING PROCESSES

Unboxing Package full of Lumiere’s legacy

A few days ago an interesting package arrived at my door. It turns out it was sent to me by a very friendly guy from Paris, France who is a collector of old photographic materials. Right around Christmas we have been discussing through messenger about my work with old photographic techniques especially dry plates. At the end of this discussion he told me that he might have something for me and all I have to do is give him my address. All he said was that I will probably have a better use of it than him. Because there was...

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KODAK-D76-DEVELOPER-RECIPE
30 Dec
DARKROOM CHEMISTRY, OTHER, PRINTING PROCESSES

Making Kodak D76 from scratch with Original Recipe

In this week's Blog I show you how to make the famous Kodak D76 Developer from scratch including all the steps. Developing film at home is always a special pleasure if you have the right equipment. During the lock-down it's often hard to get Darkroom chemicals here in Slovenia and also shipments are very delayed. That's why it's nice to be able to make & mix your own stuff. It is actually made out of only a few ingredients and it's not hard to make so let's start. D76 is a classic and truly versatile film developer which first entered the...

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