why-I-love-large-format-photography-and-alternative-processes?
AUTOCHROME, DARKROOM BUILD, EMULSION, EQUIPMENT, OTHER, PRINTING PROCESSES

Why I Love Large Format Photography & Alternative Processes?

I am asked this question often, especially being 25 years old. People often don't understand why I would enjoy techniques and cameras made well before my time. The ones who know me can tell you that I am in love with nature and everything connected with it. Besides that it relaxes me completely, learns me every day and makes me happy it also artistically inspires me. When I got my first camera at 16 which was a DSLR Pentax K-m I did not take portraits, I did not shoot street but I went straight into the woods behind my house...
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autochrome-varnish
AUTOCHROME

Autochrome step 1: 1st varnish

GLASS BASE Before I start talking about 1st varnish I have to dedicate some words to support (glass) which serves as a base on which all the layers making up autochrome are coated. Many of you probably question what is there to talk about glass? When used for autochromes it serves not just as a support but it actually plays a role during exposure. Usually at lets say wet-plate or dry-plate photography plate is turned towards the lens in such a way that emulsion is directly pointing to the light source. With autochrome the plate is turned emulsion side facing away...
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What-is-autochrome
AUTOCHROME

What is Autochrome?

Why and how? For me it all started with this question back in 2017 when I applied my theme for bachelor’s degree. It didn’t know much about the autochrome before that besides that it was one of the first colour photography techniques. I started my research on the internet reading everything I could find about autochrome and I was in shock because there was almost nothing written on this the topic. My main source of informations at the time where blogs that I came across often by luck. They at least gave me an idea of what I got my self...
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